4 out of 12 Graduate Research Grant proposals awarded
Elaine Fussell Pinson, Corcoran College of Art & Design – $7,000
To conduct primary research for master’s thesis examining the connections between African-American industrial education in the late nineteenth and early twentieth centuries and the Arts and Crafts Movement.
Mary Helen Burnham, The Graduate Center, City University of New York – $10,000
This research investigates the career of an artist/educator in a post-secondary liberal arts institution as the “missing link” between critical aspects of the Arts and Crafts movement, and the later studio craft movement.
Annmarie Bobak, Parsons the New School for Design – $2,800
Masters Thesis research on CAD/CAM, RP jewelry: from Stanley Lechtzin questioning the hand in craft to the continued exploration of developing technologies by his students at the Tyler School of Art.
Amy Eisen Krupsky, Corcoran College of Art & Design – $5,000
Research on the significant impact of The Peter Joseph Gallery on the studio furniture field, by in person and telephone interviews of people associated with the Gallery (staff, makers and collectors).
7 out of 33 Project Grant proposals awarded
Julia Bryan-Wilson, PhD., Univ. of California, Irvine – $10,000
Crafting Dissent: Politics, Protest, and Textile Handmaking in America since 1970 examines the role of textile handmaking within U.S. social movements of the 1970s – feminism, the anti-Vietnam war movement, and gay liberation – to historicize the continued intersection of craft, art, and protest politics.
Julie Muniz, Curator, Oakland Museum of Art – $8,000
Contemporary interviews and examination of newly discovered archival material will document the career of Modernist pioneer Margaret De Patta not only as a jeweler but also as a designer of tableware, ceramics, and interiors.
Marilee Boyd Meyer & Susan Montgomery, PhD., Independent researcher & Independent scholar – $15,000
Meyer and Montgomery seek funding toward a monograph on Arthur E. Baggs (1886-1947), director of the Arts & Crafts era Marblehead Pottery, and ties to occupational therapy, art education, design reform and the studio pottery movement.
Cynthia Fowler, PhD., Emmanuel College – $3,500
An historical and theoretical consideration of the modernist hooked rugs designed and distributed by American modernists in the first half of the twentieth century and their relationship to the fine arts and craft traditions.
Norm Sartorius, Barry Gordon & Phil Jurus, Wood artists and Independent researchers – $14,000
Rediscovering an important American craft artist, our research of the little known life and career of woodcarver and teacher, Emil Milan (1922-1985), will yield archival documentation suitable for dissemination.
Ashley Callahan, Independent scholar – $11,850
Research career of Athens, GA cabinetmaker, collector and dealer Eugene Thomas (d.1965) within contexts of early 20th c. American craft and history of study of Georgia furniture. Prepare checklist and publication text for exhibition.
Cat Mazza, Artist, Independent researcher & Univ. of Massachusetts – $7,950
The Textile Grid Archive project is a digital archive, database and pattern tool that assists scholars and artisans study the historical, cross-cultural and global method of producing textile patterns within the framework of the grid.
Annie Carlano, Director, Mint Museum of Craft + Design
Kate Bonansinga, Gallery Director, University of Texas at El Paso
Diane Douglas, Independent researcher & Co-editor of “Choosing Craft: An Artist’s Viewpoint”
Ezra Shales, PhD., Assistant Professor of Art History & Theory, Alfred University
Motivated by the writings of longtime Craft Horizons Magazine editor Rose Slivka and artist/poet M.C. Richards, The Center for Craft, Creativity & Design (CCCD) presents a challenge for makers and writers: to create a new collaborative work inspired by The Good Making of Good Things: Craft Horizons Magazine, 1941-1979 in just 11 days.