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  • 2017 Annual Benefit: Celebrating Stoney Lamar and Craft After Dark
  • Windgate Project Grant Lecture and Workshop with Rebecca Manson
  • The Life and Work of Harvey Littleton
  • Windgate Project Grant Lecture and Workshop with Rachel Mauser
  • Object as Poet
  • About Face: Exploring the Graphic Identity of Craft Horizons Magazine, 1941-1979
  • Women in Craft Wikipedia Edit-a-thon
  • Salon Series: Craft and Community
  • Holding the Pieces Workshop with Michael Swaine
  • Matter in Action: Mending on the Streets with Michael Swaine
  • The Art of Repair with Dr. Steven J. Jackson
  • Shaker Tape Chair Weaving Workshop
  • November Repair Café
  • Follow the Money: Understanding Art Production Today with Glenn Adamson and Julia Bryan-Wilson
  • Fix it in 15: Bike Repair Clinics
  • General and Special: Designer Talk with Ole Jensen
  • 2016 Back to the Drawing Board
  • Overshot: A Composition for String Quartet and Electronics Inspired by the Lou Tate Kentucky Coverlet Collection
  • 20th Anniversary Celebration & Benefit
  • Ghetto Craft: A Place Where Poverty and Porcelain Intersect, Artist’s Talk with Roberto Lugo
  • Recycled China: The Residue of Industry, Artist’s Talk with Thomas Schmidt
  • 1st Annual Windgate Fellowship Project Grant Artist Talks
  • Showing/Making: Curator’s Talk with Garth Johnson
  • Spaces of Production | The Mend-Smith Project
  • Broadway Block Party
  • Glassville: WNC’s Contemporary Glass Showcase
  • Spaces of Production | The People’s Cloth Trade Show
  • How Artists Get Noticed: An Editor’s View
  • At Human Scale: Artist Talk by Michael Strand
  • Back to the Drawing Board | Blue Mountain, Mark Reigelman (Brooklyn, NY)
  • Process vs Product: Shifting Values in Art, Craft, and Design
  • ‘Loving After Lifetimes of All This’ Exhibition Tour with curator Danny Orendorff
  • Back to the Drawing Board | In Song Sing On: The Songbook Project, David Wilson (Oakland, CA)
  • Bringing it Home: Loving After Lifetimes of All This in Asheville
  • Back to the Drawing Board | Performance Crafting: Hand in Hand, Tanya Aguiñiga (Los Angeles, CA)
  • From Hair to There: Artist Talk with Sonya Clark
  • Paper Piecing: Printmaking and the Quilts of Gee’s Bend Session 2
  • Go Tell It at the Gallery!
  • Quiltmaking Workshop with Louisiana P. Bendolph
  • Gee’s Bend In Translation: A Symposium
  • Exhibiting Blackness and the Gee’s Bend Effect
  • Paper Piecing: Printmaking and the Quilts of Gee’s Bend Session 1
  • Quiltmaking Workshop with Loretta Bennett
  • From Quilts to Prints: A Roundtable Discussion
  • Gee’s Bend Quilts: The Art of Necessity and the Necessity of Art
  • PBS “Craft in America: SERVICE” Sneak Preview
  • The Revolution is Now
  • 3-D Printing Week
  • REBIRTH – Ceramics 14.0 – Art + Design + Architecture | a lecture by Garth Clark
  • The Materiality of Sound: What Can Craft Learn from the Sound Industry?
  • CTRL+P Opening Reception
  • PechaKucha Night Asheville – Vol 6
  • “Taking Shape: A Curator’s Perspective”, discussion with Cindi Strauss
  • Craft in America Industry: Handmade in the Creative Economy Sneak Preview
  • Moogfest brings Immersive, Improvisatory, Durational Performances to Benchspace
  • Sign Painters
  • Bernard Leach and the Fine Art of Pots
  • Ismini Samanidou, Guest International Artist at the WNC Textile Study Group
  • The Future of Traditional Pottery with Garth Clark
  • History in the Making: Maker’s Co-Authors Janet Koplos and Bruce Metcalf
  • An Evening with Matthew Crawford
  • Up for Discussion with Magdalene Odundo
  • CCCD’s Windgate Fellowship Program: A Case for Funding Professional Development Opportunities for Graduating Seniors
  • Not the Straight and Narrow: Diverse Pathways to Bending Wood
  • Audio Archive
  • From Quilts to Prints: A Roundtable Discussion

    Thursday, September 25, 2014 - 6 - 8:00 pm | Benchspace Gallery and Workshop at The Center for Craft, Creativity & Design
    Paulson Bott Press

    [Top] Jane Kim, Pam Paulson, Cheyenne Sylvester, Matt Arnett, Mary Lee Bendolph, Louisiana P. Bendolph [Bottom] Renee Bott, Scott Heath. Images courtesy of Paulson Bott Press.

    Exhibition curators Julie Levin Caro and Marilyn Zapf discuss the Gee’s Bend print project with artists Louisiana Bendolph and Loretta Bennett and collaborators Matt Arnett and Pam Paulson. The discussion will address how the project began, reflections on the challenges and triumphs of translating large-scale quilt designs into fine art prints, and what the future of artistic practice at Gee’s Bend could look like.

    Louisiana Bendolph is an artist living and working in Mobile, Alabama. Her work has been shown nationally and internationally, including the Museum of Fine Arts, Houston, The Whitney Museum of American Art, and the Corcoran Gallery of Art, among others.

    Loretta Bennett is an artist living and working in Huntsville, Alabama. Her work draws from five generations of Gee’s Bend quiltmakers. Bennett’s work has exhibited nationally and internationally, including the Philadelphia Museum of Art, de Young Museum, and The Walters Art Museum, among others.

    Matt Arnett is a photographer, filmmaker, curator, and researcher whose primary interest is in the art and culture of the African American South. Arnett co-produced and co-directed the half-hour documentary film The Quilts of Gee’s Bend and directed and co-produced the two-CD set How We Got Over: Sacred Songs of Gee’s Bend. Through the Tinwood Alliance, Matt has acted as project director for the following books and exhibitions: The Quilts of Gee’s Bend, Thornton Dial in the 21st Century, Gee’s Bend: The Architecture of the Quilt, and Mary Lee Bendolph, Gee’s Bend Quilts, and Beyond.

    Pam Paulson is a master printer and co-founder of Paulson Bott Press, a printmaking press specializing in limited-edition intaglio prints in Berkeley, California.  Paulson Bott Press’s philosophy is to facilitate rather than direct an artist, creating an environment where artists can do their best work. The press collaborated with four Gee’s Bend artists to produce limited edition etchings between 2005-2014.

    Julie Levin Caro is the co-curator of Gee’s Bend: From Quilts to Prints and Professor of Art History at Warren Wilson College.

    Marilyn Zapf is the co-curator of Gee’s Bend: From Quilts to Prints and Assistant Director at The Center for Craft, Creativity & Design.

    RECENT NEWS

    The Center for Craft, Creativity & Design launches “Craft City”

    The Center for Craft, Creativity & Design (CCCD) debuts a new program series this summer that honors Asheville as “Craft City.” At three outdoor pop-up studios this summer (July 7, August 4, and September 1) people of all skill levels and backgrounds can make a take-home craft under the guidance of a visiting artist.

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