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  • 2017 Annual Benefit: Celebrating Stoney Lamar and Craft After Dark
  • Windgate Project Grant Lecture and Workshop with Rebecca Manson
  • The Life and Work of Harvey Littleton
  • Windgate Project Grant Lecture and Workshop with Rachel Mauser
  • Object as Poet
  • About Face: Exploring the Graphic Identity of Craft Horizons Magazine, 1941-1979
  • Women in Craft Wikipedia Edit-a-thon
  • Salon Series: Craft and Community
  • Holding the Pieces Workshop with Michael Swaine
  • Matter in Action: Mending on the Streets with Michael Swaine
  • The Art of Repair with Dr. Steven J. Jackson
  • Shaker Tape Chair Weaving Workshop
  • November Repair Café
  • Follow the Money: Understanding Art Production Today with Glenn Adamson and Julia Bryan-Wilson
  • Fix it in 15: Bike Repair Clinics
  • General and Special: Designer Talk with Ole Jensen
  • 2016 Back to the Drawing Board
  • Overshot: A Composition for String Quartet and Electronics Inspired by the Lou Tate Kentucky Coverlet Collection
  • 20th Anniversary Celebration & Benefit
  • Ghetto Craft: A Place Where Poverty and Porcelain Intersect, Artist’s Talk with Roberto Lugo
  • Recycled China: The Residue of Industry, Artist’s Talk with Thomas Schmidt
  • 1st Annual Windgate Fellowship Project Grant Artist Talks
  • Showing/Making: Curator’s Talk with Garth Johnson
  • Spaces of Production | The Mend-Smith Project
  • Broadway Block Party
  • Glassville: WNC’s Contemporary Glass Showcase
  • Spaces of Production | The People’s Cloth Trade Show
  • How Artists Get Noticed: An Editor’s View
  • At Human Scale: Artist Talk by Michael Strand
  • Back to the Drawing Board | Blue Mountain, Mark Reigelman (Brooklyn, NY)
  • Process vs Product: Shifting Values in Art, Craft, and Design
  • ‘Loving After Lifetimes of All This’ Exhibition Tour with curator Danny Orendorff
  • Back to the Drawing Board | In Song Sing On: The Songbook Project, David Wilson (Oakland, CA)
  • Bringing it Home: Loving After Lifetimes of All This in Asheville
  • Back to the Drawing Board | Performance Crafting: Hand in Hand, Tanya Aguiñiga (Los Angeles, CA)
  • From Hair to There: Artist Talk with Sonya Clark
  • Paper Piecing: Printmaking and the Quilts of Gee’s Bend Session 2
  • Go Tell It at the Gallery!
  • Quiltmaking Workshop with Louisiana P. Bendolph
  • Gee’s Bend In Translation: A Symposium
  • Exhibiting Blackness and the Gee’s Bend Effect
  • Paper Piecing: Printmaking and the Quilts of Gee’s Bend Session 1
  • Quiltmaking Workshop with Loretta Bennett
  • From Quilts to Prints: A Roundtable Discussion
  • Gee’s Bend Quilts: The Art of Necessity and the Necessity of Art
  • PBS “Craft in America: SERVICE” Sneak Preview
  • The Revolution is Now
  • 3-D Printing Week
  • REBIRTH – Ceramics 14.0 – Art + Design + Architecture | a lecture by Garth Clark
  • The Materiality of Sound: What Can Craft Learn from the Sound Industry?
  • CTRL+P Opening Reception
  • PechaKucha Night Asheville – Vol 6
  • “Taking Shape: A Curator’s Perspective”, discussion with Cindi Strauss
  • Craft in America Industry: Handmade in the Creative Economy Sneak Preview
  • Moogfest brings Immersive, Improvisatory, Durational Performances to Benchspace
  • Sign Painters
  • Bernard Leach and the Fine Art of Pots
  • Ismini Samanidou, Guest International Artist at the WNC Textile Study Group
  • The Future of Traditional Pottery with Garth Clark
  • History in the Making: Maker’s Co-Authors Janet Koplos and Bruce Metcalf
  • An Evening with Matthew Crawford
  • Up for Discussion with Magdalene Odundo
  • CCCD’s Windgate Fellowship Program: A Case for Funding Professional Development Opportunities for Graduating Seniors
  • Not the Straight and Narrow: Diverse Pathways to Bending Wood
  • Audio Archive
  • Showing/Making: Curator’s Talk with Garth Johnson

    Thursday, February 11, 2016 - 6:30 pm | Benchspace Gallery & Workshop at The Center for Craft, Creativity & Design

    Garth Johnson Curator of Ceramics Arizona State University Art Museum

    This 60-minute multimedia lecture explores the work of a new generation of young artists who grew up with easy access to video and social media. Recent years have seen an explosion of work that uses video to not only document process, but to show the use (and abuse) of the work and extend their studio practice. Warning: THIS LECTURE CONTAINS AN EROTIC POETRY READING that may be unsuitable for some audiences.

    Studio artist, writer, curator and educator Garth Johnson is curator of ceramics at the ASU Art Museum in Tempe, Arizona. Before moving to Tempe in 2014, Garth served as the Curator of Artistic Programs at The Clay Studio in Philadelphia and spent seven years as a Professor at College of the Redwoods in Eureka, California. He is a self-described craft activist who explores craft’s influence and relevance in the 21st century. His weblog, Extreme Craft, is a “Compendium of Art Masquerading as Craft, Craft Masquerading as Art, and Craft Extending its Middle Finger.” His first book, 1000 Ideas for Creative Reuse was published by Quarry in November 2009. He has also contributed to the books Handmade Nation, Craftivity, Craft Corps and the Smithsonian American Art Museum’s new book Nation Building. Johnson recently completed a term as a Director-at-Large on the board of the National Council on Education for the Ceramic Arts (NCECA). He is leading a task force for a publication that will anthologize contributions to the NCECA Journal for their 50th Anniversary in 2016. Recently, Johnson served as a juror for the highly coveted Zanesville Prize for Contemporary Ceramics, which carries a Best-of-Show award of $20,000 and $10,000 in additional awards.

    Showing/Making is held in conjunction with the exhibition Recorded Matter: Ceramics in Motion, on view at CCCD January 22 – May 21, 2016. Recorded Matter is organized and curated by Arizona State University Art Museum Ceramics Research Center Curator, Garth Johnson. This program is funded in part by the N.C. Arts Council’s Grassroots Arts Program through the Asheville Area Arts Council.

    This event is free and open to the public, no registration is required.

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    The Center for Craft, Creativity & Design launches “Craft City”

    The Center for Craft, Creativity & Design (CCCD) debuts a new program series this summer that honors Asheville as “Craft City.” At three outdoor pop-up studios this summer (July 7, August 4, and September 1) people of all skill levels and backgrounds can make a take-home craft under the guidance of a visiting artist.

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    VISIT: The Center for Craft, Creativity & Design | 67 Broadway Street, Asheville, NC 28801 | map it | Phone: 828.785.1357 Fax: 828.785.1372 | email us | Gallery hours: Tue - Sat 10-6